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Joseph Mallord William Turner – Great Painter of Light

Joseph Mallord William Turner (1775 – 1851) was a controversial English landscape painter. Joseph Mallord William Turner, better known as J.M.W. Turner, was born on April 23, 1775, in Covent Garden, London, England. His eccentric style matched his subjects – shipwrecks, fires, natural catastrophes, as well as natural phenomena such as sunlight, storms, rain, and fog.

Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting. He is commonly known as “the painter of light” and his work is regarded as a Romantic preface to Impressionism. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting.

The significance of light to Turner resembled God’s spirit. In his later paintings he concentrated on the play of light on water and the radiances of skies and fires, almost to an Impressionistic style. Segmation’s collection of Joseph Mallord William Turner patterns includes many examples of his style including The Fighting Temeraire, The Shipwreck of the Minotaur, Snow Storm, The Grand Canal, Peace – Burial at Sea, and Rain, Steam and Speed.

This Segmation set contains 25 paintable patterns.

Source: http://en.wikipedia.org/wiki/J._M._W._Turner

Joseph Mallord William Turner

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Introduction to Color Expert Johannes Itten

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“Color is life; for a world without color appears to us as dead.” – Johannes Itten

When you take an art course on color theory, you can thank Johannes Itten for laying much of the foundation for what you’re being taught. Johannes Itten was a Swiss artist and teacher who taught at the Bauhaus in Germany. He published several books on art theory, the most popular being The Art of Color.

Sir Isaac Newton is credited with creating the first color wheel, which included 6 colors: red, orange, yellow, green, cyan and blue. Around 250 years later, Johannes Itten expanded Newton’s color wheel to include 12 colors instead of 6. These 12 colors included red, yellow and blue as the primary colors; orange, green and purple as the secondary colors, and 6 intermediary colors created by mixing a primary color with a secondary color. This is the same color wheel often used in school’s today to teach students about color theory.

Itten also examined color saturation, contrast and hue, devising theories for creating different color combinations that are still useful to artists and designers today. He looked at the expressiveness of color, and also the way colors affect one another. He also explored the emotional properties of colors which he considered to be fairly subjective, proposing that we each have different individual reactions to colors.

For more information about Johannes Itten and his color theories, look for his books online or in your local library.

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The Healing Power of Color (www.segmation.com)

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As an artist, you are probably aware of the effects that different colors can have on your state of mind and emotional well-being. In fact, in a past article we discussed the psychology of color and provided an overview of how each color can impact your mood.

In this article, we’ll take a look at color therapy, also known as chromotherapy, and how you can apply the basic principles of chromotherapy in your art.

Color therapy involves using, or meditating upon, specific colors to help you find balance and harmony, both inner and outer. There are many forms of color therapy, such as:

surrounding yourself with a color that represents characteristics that you feel are lacking in your life, to achieve balance

immersing yourself in a color that represents characteristics, or states of being, that you aspire to

using colors to “cleanse” your physical body and achieve physiological harmony (such as practiced in Chinese therapy)

While color therapy was once regarded as a New Age fad, today the effects of colors on a person’s mind, body and spirit are well-documented. Even commercial paint manufacturers recognize the connection; some offer a specific range of paint colors that are designed to promote healing and wellness.

To utilize the healing power of color in your art, you can create paintings or drawings based on specific colors to bring about a certain adjustment in your (or someone else’s) mental, emotional, or physical state of being. You can use a combination of colors to evoke a certain state of mind. Experiment with different patterns and compositions and take note of how the paintings affect you.

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From Sand Castles to Sand Sculptures

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Many of us have fond memories of building sand castles at the beach when we were children; overturning buckets of sand to create towers, digging out moats, and sticking seashells into the damp castle walls. Even though we weren’t consciously aware of it at the time, building sandcastles was a fun, hands-on way to express our creativity and let our imaginations run wild.

Building sand castles is not just for kids anymore! In the 1970s, the art of “sand sculpting” was born on the beaches of California, pioneered by visionaries who took the concept of sand castles several steps further by creating elaborate, detailed, breathtaking monuments out of sand. Animals, architecture and pop culture icons are common subjects for sand sculpture art, although the sky’s the limit. Sand sculptors have depicted everything from African wildlife to Greek gods and goddesses to scaled versions of the Taj Mahal.

Creating complex sand sculptures requires both technical skill and knowledge. In order to stay in place properly, the sand must be a certain consistency and contain a certain degree of moisture. Once the foundation is ready, it takes talent, time and energy to sculpt 3-D images into the sand without the sand falling to pieces. It’s no wonder that the best sand sculptors are actually professionals who get paid to create these magnificent works of art using all-natural materials.

Sand sculptures are a popular attraction on some of the world’s best beaches, from Canada to Florida to Australia. Next time you’re at the beach, why not see what you can create out of sand!

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Tips for Making the Most of Your Next Art Museum Visit www.segmation.com

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Visiting art museums can be both fun and daunting. The Metropolitan Museum of Art, for example, contains over 2 million square feet of exhibition space – now that’s a lot of art! With room upon room filled with treasures from various civilizations, a visit to a major museum such as the Met is certainly an eye-opening, educational experience… but it can also be exhausting. Almost against your will, you’ll find that after awhile, your mind shuts down as you stare blankly at artwork after artwork.

Follow these tips to avoid that zombie-like state and glean the most from your visit to an art museum:

Study the museum map before you enter to familiarize yourself with everything the museum has to offer, then plan out a logical route that takes you through everything you want to see.
Don’t try to see everything at once. Prioritize your visit by planning to see the artwork you’re most interested in at the beginning of your museum visit, while your mind is still fresh.
Read the placards that explain what each exhibit and artwork is about. If you start to get burned out after awhile, don’t try to retain all the information. Just let your eyes skim over the information and absorb the key information. Look for artist, time period, medium, and location, if applicable.
Linger awhile in front of the pieces that most interest you, and contemplate why you like that particular piece. It is better to spend time examining the artwork you really enjoy, rather than to rush through rooms full of art that you really don’t care about.
If photographs are allowed, take photos of the pieces that most interest you. You should also photograph the title card of the piece, so that you can research the artist and artwork later.
Carry a sketchbook with you to jot down notes, ideas, impressions, and sketches of artwork that catches your eye. If photographs are not allowed, a sketchbook can be a useful substitute.
If you need a break, sit down in the museum cafe and rest your eyes for awhile. Fresh air can help if you’re feeling burned out, but if you leave the museum to step outside, make sure it is okay for you to re-enter without having to pay the entry fee again.

Follow these tips and your next trip to an art museum will leave you happily saturated with creative inspiration!

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How to Make Your Own Oil Paints

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In a previous blog post, we discussed the benefits of making your own paints, rather than buying commercially-made paints from art supply stores. Two of the most appealing reasons for making your own paints include the ability to control the color and the quantity of the paint that you make. In today’s blog post, we’ll take a more in-depth look at how you can make your own oil paints using just a few simple supplies.

The two main ingredients you’ll need for making your own oil paints are powdered pigment and an oil, such as linseed oil (which most oil painters usually have on hand anyway). The tools you’ll need to mix the ingredients can either be a mortar and pestle (shown above), or a sturdy spatula and a flat glass surface. The mortar and pestle is the preferred choice because it will allow you to grind the pigment into finer particles.

To make your own oil paint, place your desired amount of pigment onto the glass surface or into the mortar. Add a small amount of oil and grind together the pigment and the oil using your pestle or spatula. Be sure to start off with a small amount of oil, because you don’t want your mixture to be too runny.

As the pigment absorbs the oil, note the consistency. If the mixture looks too dry, add more oil. If it is too oily, add more pigment. Your goal is to create a mixture that resembles the consistency of toothpaste.

Once the pigment and oil are thoroughly mixed, then you are ready to paint! The process is as simple as that. Your homemade oil paint can be mixed with commercially-made oil paints, and it may be stored in tubes or airtight jars for future use. segmation dot com.

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Selling your art at outdoor art fairs

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Have you ever considered selling your artwork at an art fair? Outdoor art festivals are a popular way of uniting artists with potential collectors and even gallery owners. At the larger art festivals, attendance can reach 250,000 and higher, which means a lot of eyeballs will have the chance to view your art! If that wasn’t enough to convince you, keep in mind that there are visual artists who report 6-figure annual incomes from selling their art at street festivals around the US.

Before you start applying to art festivals, do your research to find out which art fairs are best for you. Some art fairs are well-known and highly-regarded, while others are smaller and don’t generate as much foot traffic. When researching which art fairs to apply for, find out the answers to the following questions:

How many people attend the art fair each year?
Will any cash prizes be given, and if so, how many prizes and for what amounts?
What is the booth fee?
Does the art festival expect to collect a percentage of your sales?
What is the location of the art fair? Similarly, how far will you have to drive? Will you have to stay in a hotel? What are the costs for this – and is it worth it, given the answers to the previous questions?
Are you allowed to sell prints and cards of your work, or only originals? (Not all art festivals allow artists to sell reproductions of their work, but if they do, it’s a great way to boost your income and also spread your artwork further afield.)

The answers to these questions will help you decide which art festivals are worth your time, and which ones you can skip.

All in all, selling your art at art festivals is an excellent way to take your art career into your own hands. You can make connections with other artists, network with gallery owners and reach out to the general public. Rather than wait for a gallery to take on your work, you can take your art out into the world!

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