Food Never Looked So Good

In America, numerous grocery stores line a single street and entire television networks are dedicated to cooking shows. Alarm about nutrition labels and fad diets constantly have the spotlight of public attention. As a nation, Americans are obsessed with food.

This preoccupation allows little time to actually think about what is inside food. We seem to care less about the look, feel, taste and emotion that is associated with food than we do about the nutrition label. Even cultures that coalesce around foods they love to create, like Italians, may not fully grasp the entirety of what is inside their meals.

However, with the help of a culinary creative director and professional photographer, we are beginning to see what truly exists in every bite.

The Truth Behind ‘Cut Food’

Beth Galton and Charlotte Omnés are the masterminds behind a series of photos titled, “Cut Food.” To fully grasp the concept of this series, take the title seriously. This compilation of artwork involves food that is cut down the middle, giving viewers an inside look at the symmetry that lies in the middle of every bite.

In an NPR article, Maria Godoy recaps some of the most popular photographs. She writes, “… ‘Cut Food’ is a photo series that literally cleaves into edibles — hot dogs, ice cream, fried chicken and mashed potatoes with gravy — to reveal gorgeous geometric patterns tucked within.”

Many of their photographs have gone viral and are shared throughout the world. The foods they split and capture are common; most can be found in the grocer’s freezer. In fact, these pictures may even spark cravings.

Photographing Food

While photographing some food items seem harder to capture than others, Beth and Charlotte claim there is “little trickery” involved. This statement can be validated by the fact that these images, to be honest, are not entirely unique.

The ladies have put a spin on one of John Dominis’ pieces. In 1966, the late artist worked with beef rolls to discover and display the art that lay inside.

More recently, a research lab in Washington state published a six-volume resource book titled, “Modernist Cuisine: The Art and Science of Cooking.” Researchers used cutaway shots that were said to be “jaw-dropping.” Unfortunately, the price tag was jaw-dropping too. The book first retailed at $625.

On the other hand, the viral images of “Cut Food” can make the jaw-drop and mouth water at the same time.

A Universal Love of Food

The images Beth and Charlotte capture travel throughout the world. The artists’ marvel at the attention they get from people abroad. In a short video that follows the creative process behind “Cut Food” art, they say that the “universality [of their project] is amazing to watch.”

Their art is amazing for many reasons, but universality isn’t the first reason that comes to mind. After all, every people group, culture, tribe and tongue has to eat. Food is all around us. And more often than not, we love it.

Cut Food from Beth Galton Studio on Vimeo.

Read more Segmation blog posts about food art:

A New Art Form that Involves your Favorite Beverages

Simple, Creative Super Bowl Snack Ideas

The Color Red and its Many Meanings

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Photography Returns to Its Roots

When you thumb through your favorite magazine, how many images do you see that you assume have not been highly processed through technology? More than likely your answer is none. The truth is that retouching images using digital tools has been the name of the photography game for the past several years. In many cases, photos all over the media do not reflect anything that is real or “organic,” but rather what is fanciful and ideal. These qualities are not necessarily bad, but in some ways have lessened the value of raw, genuine photography. But all this is changing.

Photographers who have leaned heavily upon digital tools for the past few years are beginning to gravitate back toward totally or partially un-retouched images. Post-processing techniques that have been majorly employed by photographers are now becoming more and more shunned as artists seek to bring photography back to its roots. But among all of these changes, there is something to remember: there is nothing intrinsically wrong with utilizing technology in photography.

The problem was never in the technology (the post-processing techniques, digitalization, etc.) used to enhance images. David Allen Brandt, commercial photographer, commented, “The problem was that the images themselves, the backbone of the art presented, weren’t great to begin with.” So the issue is not that the technology used to transform images is “un-artistic” or negative. Rather, the core of a piece of photographic art (the photograph itself) needs to be high quality before post-processing techniques are used. Technology shouldn’t be the means a photographer uses to ensure an image is artful; it is more appropriate for it to be used to enhance an already-excellent photo.

As mentioned, photography is returning to its origins. It is mainly making this journey via photographers/artists who are choosing to allow “raw” images to be a primary source of art. These artists view image processing tools as just that: tools. Rather than counting on those tools to make an image into a quality piece of art, these photographers are taking artful images and making them better by using post-processing techniques and other technological helps. Amazing teachers are also shaping this next generation of artists by teaching photography techniques that do not emphasize digital manipulation.

Note: The image represented in this post does not belong to Segmation; it was found at http://www.photography.ca/blog/tag/lens/.

http://www.cnn.com/2012/08/10/living/fine-art-photography-manipulation/index.html?iphoneemail

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When Ink Art and Underwater Photography Collide

Two seemingly different concentrations of art have been making waves in their recent mash up with artist and photographer Mark Mawson. While not a tremendous amount of information is available about the technique and execution of this brilliant, color-soaked approach, we can speculate on some of the aspects of this thrilling new style.

Water

Water is a funny thing. When we are submerged, it is the one known natural element that resists the pull of gravity by working with the natural buoyancy in our bodies to alleviate some of our weight. Nearly everyone experiences these effects while swimming or taking a bath.

Another peculiar trait is how it spreads and disperses other liquids or particles that have been introduced into it. Think of when you put cream in your coffee, or when you add dye to water to make Easter eggs. The effect is immediate and really quite interesting.

As seen in the picture above, a second liquid-like material introduced into still water creates a shadowing, swirling veil of almost air-like quality that slowly ripples and radiates outward; akin to the slow leak of a pin-pulled smoke bomb.

Ink

What photographer Mark Mawson manages to capture is thrilling and new in several ways; not only in its gorgeous eye-popping presentation, but also in its incredibly temporary state of existence as well as its unique, un-typified use of ink.

While the featured picture is an amazing and brilliant example of Mawson’s technique, it is certainly not the only approach to this style of art. As you look further into some of the images he’s captured, you’ll notice the endless possibilities for positioning, lighting, and background.

Some pieces are seen with a subtle back drop of flurrying colors (perhaps immersed in the water sooner to capture their translucency), cascading down over a more vivid splotch of color floating in the foreground, constantly shape shifting to create new and interesting views of our underwater art gallery.

To see more of Mark’s work, check out http://www.paranoias.org/2011/12/aqueous-fluoreau-by-mark-mawson/  and see the waves he’s creating by making, well, waves.

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Face the Fact, Technology Creates Art

In the 21st century, technology creates all things useful… including art. We have to face the fact that gone are the days when art belonged on an canvas, was formed between the hands of a potter, appeared from inside a slab of granite, or was developed with the intention of advancing culture.

Now there are even more dimensions of art to embrace. We can do this by recognizing how technology allows everyone to become artists by producing visual representations of who we are, as individuals and what we care about.

An online program that allows anyone to create a work-of-art is Picasa. This is Google’s free photo editing software that transforms our every day pictures into artistic masterpieces.

The newest version, Picasa 3.8, has the ability to turn anyone into an artist — or a video producer for that matter. For some time, Google’s Picasa has been an easy tool that makes photo organization and editing a breeze. It allows individuals the ability to create online albums that are easily shared with friends and family members throughout the world. Check out the Face Movie Segmation produced with it:

(If the video does not appear on this screen, visit Youtube to view Segmation’s feature Picasa film: http://youtu.be/16JPgeF5y5U)

Creating A Face Movie

It’s easy to create a Face Movie like this one. Picasa 3.8 can instruct you with step by step directions. However, it is a process that is completed with just a few clicks of a button. The program analyzes faces in the photos you want featured. Then, it couples them with the smoothest transitions in ways of facial expressions and/or poses. The different technique Face Movie uses, creating noticeably different movies, is overlaying photos organized by similar qualities, like expressions or poses. You can start creating your Face Movie today by clicking here.

Benefits of Picasa 3.8

But wait… it gets easier. With Picasa, you don’t need to scramble to find the pictures you want to use. It organizes all the photos on your PC, even those scattered throughout your system. Then, they can be easily organized into web albums.

Name Tags

Google understands that the people captured in photographs are what matter in a picture. This is why they created a collection system based on name-tags. It is a lot like the Facebook feature, “tagging.” By placing a box around an individuals face, one is able write their name and easily store all pictures where he or she has been tagged. This is also available with places, or “geo-tags,” where one can mark the exact location of the picture using Google maps.

Sharing

From there it is easy to publish your favorite photos online. You can choose to share single images or an entire album. This also allows you to connect with friends and family members and set notification settings when those you’ve set as “Favorites” post new photos.

Editing 

And you don’t need to worry about showing pictures that are sub-par. Picasa also includes an editing systems that can improve any picture. By having control of red-eye correction, lighting, and other abnormalities, you are sure to collect and share pictures you’re proud of.

The abilities of Google’s Picasa 3.8 are numerous, but you don’t have to believe us. Explore the free program and see for yourself.

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Catch a Wave

American recording artists, the Beach Boys said it best; “Catch a wave and you’re sitting on top of the world.”

Is this how surfing feels? The mighty energy of water folding under one’s feet must be exhilarating, and there is no doubt that it mimics the sensation of sitting on top of the world. But how many people really get to experience this sensation?

Not only is it challenging, it’s a rather limiting exercise, especially considering one’s location may prohibit their access to these energetic waves. That’s why people living in places like Hawaii, California, and Australia are more likely to take up this activity, while those in landlocked regions don’t necessarily have the option. However, the sight of an individual climbing the wall of a crashing wave is alluring to almost everyone. This is why it has become such a popular setting in paintings, photographs, and even movies.

Paintings

There are many ways of painting a wave. Some artists like to paint them as precise as possible, down to the fine detail of the ocean spray. Others, make the art more abstract. However, one thing is necessary when painting a wave– it has to be inspired by the energy of the water.

Surf artist Peter Pierce says that his wave art is, “… inspired by the actual act of riding quality waves. Likewise, the true ‘surf artist’ understands the rareness/value of quality waves via living a life passionately devoted to the pursuit of such waves… ”

Therefore, Pierce paints waves because he knows how to ride waves. But people can also “ride a wave” from the comfort of their beach chair, and capture a similar energy with their paint brush.

Photography

Capturing this energy with a photograph is a bit more challenging. The surf culture itself is very active, and to keep up with the waves, and people riding them, one must be quick to point and shoot.

With the speed and force of rising and falling water, the active lifestyle of surfers and surf artists can be down-right-dangerous. In fact, photographers who desire to get the perfect picture oftentimes put themselves into compromising positions. In pursuit of a breathtaking image, they will put themselves into the water with the surfers but without the advantage of having a floating board (and instead happen to be carrying expensive, water-sensitive equipment).

Although, perhaps that is the price these individuals pay to do what many others cannot: Surf art photographers are able to literally catch a wave so that those who can’t surf still experience the sensation of sitting on top of the world.

Movies

Movies about surfing, and more specifically, movies about the sea creatures who live beneath these transportable waves, have been popular for quite some time. And why wouldn’t they be? A movie about surfing has many elements that a successful movie needs. This is because the active culture of surfing is inviting, crashing waves are thrilling, and the risk of danger is high.

Just this year, the most recent surfing movie, Soul Surfer, was released. With an all-star Hollywood cast and amazing cinematography, the movie captivated its audience and shared the thrill of catching a wave.

There are countless other movies that survey the surfing culture. All of them have something in common — the artistic capturing of natural scenery.

Even though many people don’t have access to large bodies of water conducive for surfing, most everyone enjoys the energy that comes from catching a wave. Whether they can actually ride a wave or just look at one, energy exudes from the image of swelling water that is on the verge of collapse. This allows surfers, artists, and observers of both, to catch a wave and sit on top of the world.

Thank you featured surf artists Peter Pierce and Trent Mitchell. If you want to know more about this art wave and craze, visit http://www.clubofthewaves.com.

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Photography: Black and White or in Living Colors

Does anyone remember a time before color photographs?

When photography began to flourish in the early 1900s, the camera produced only black and white images. However, a desire stirred inside many people, like physicist James Clerk Maxwell, who wrote about the first technique used to color photographs in 1855. Through his work, other photography enthusiasts were able to develop the capacity to capture life in living colors.

Maxwell predicted that it was possible to capture the essence of a photograph—the arrangement of color—in a time when only black and white photographs were produced. He wrote about color vision; a study to advance the concept that color identified by both human brains and machines is based on the wavelengths of light that reflect, emit, or transmit color signals. Maxwell found that a wide range of colors could be created by mixing only three pure colors of light: red, green, and blue. This manipulation of color had to be done in proportional amounts to stimulate the three types of cells the same way “real” colors did. In his writing, Maxwell used black and white photography as an analogy for his findings.

Maxwell’s Analogy:

If three black and white photographs were taken of the same setting through red, green, and blue filters, then made into transparencies (also known as negatives or slides), one could project light through these filters and superimpose them into a single image on a screen. The result would be an image that reproduced all of the colors seen in the original setting, not just red, green, and blue.

At this time, Isaac Newton’s work advancing the fact that all color is influenced by light, was common knowledge. In a similar fashion, Maxwell insisted that eyes see color on the surface of a perceived shade, where millions of intermingled cone cells represent only three colors. Red and blue sit at opposite ends of the spectrum with green planted as a middle region. They signal sensitivities (red) and stimulation (blue) that eyes receive when light shines through particular colors. The process of taking a set of three monochrome “color separations,” was also known as the triple projection method. Maxwell’s analogy was first tested by Thomas Sutton in 1861. However, the experiment did not work and the desire for photographs to represent living colors encouraged other enthusiasts to develop the art of color photography, which picked up steam again in 1890.

Color photography has been around for a little over one hundred years, and look at how far it has come. Flawless colors and mass production of images show how color photography has influenced enthusiasts and much of the world. This, however, is made possible because of the records kept during photograph exposure, like the triple exposure method which was outlined in Maxwell’s analogy. At the end of the appropriate exposure time, analyzing the spectrum of colors into three channels of information, red, green and blue, helped form a method to imitate the way a human eye senses color. The recorded information has been used to reproduce and enhance the original colors by mixing together aspects of the red, green, and blue lights and removing or adding elements of white light.

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A Summer Activity for Leisure Days

© Dave Dugdale: Flickr http://www.learningdslrvideo.com

Summer days are notorious for bright sun, hot temperatures and endless activities. The irony here is that summer days are also supposed to be days of leisure. This is why lounging around inside is okay even when the sun is bright. In fact, one of the most enjoyable things about a summer day is air conditioning!

Indoor summer activities often consist of watching television, sitting on the computer and working around the house. It is challenging to find a leisure activity that is also mind stimulating. This is why Segmation offers the perfect summer activity for all ages.

Paint by Numbers

Since the 1950’s, paint by numbers has been known as a leisure past time and summer activity.  It became popular when people began making more money, working fewer hours and increasing the amount they shopped. As a result, people purchased items to use in their free time. With consumers buying items like TV sets, barbeque grills and paint by numbers kits, these popular past times became better known as “new leisure.” To this day, paint by numbers, among the rest, are still a favorite past time, even though they all have new faces.

The Artist in Everyone

© Kara Allyson: Flickr

Paint by numbers is not just a great past time; it allows anyone to become an artist. Even a clumsy hobbyist can paint the perfect picture. This is why the box tops of paint by numbers kits formerly proclaimed “Every man a Rembrandt.” While every person can craft the perfect picture with paint by numbers, different levels of expertise offer this leisure activity at any skill level.

Now you have it all; all you need are leisure summer days to awaken the artist in you. The virtual paint by numbers program, Segmation, will turn you into a Rembrandt, or at the very least, a graphic design artist. Enjoy picking colors, following a pattern and watching your masterpiece appear on screen. With Segmation, this leisure activity awaits your next air conditioned summer day.

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The Healing Power of Color (www.segmation.com)

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As an artist, you are probably aware of the effects that different colors can have on your state of mind and emotional well-being. In fact, in a past article we discussed the psychology of color and provided an overview of how each color can impact your mood.

In this article, we’ll take a look at color therapy, also known as chromotherapy, and how you can apply the basic principles of chromotherapy in your art.

Color therapy involves using, or meditating upon, specific colors to help you find balance and harmony, both inner and outer. There are many forms of color therapy, such as:

• surrounding yourself with a color that represents characteristics that you feel are lacking in your life, to achieve balance

• immersing yourself in a color that represents characteristics, or states of being, that you aspire to

• using colors to “cleanse” your physical body and achieve physiological harmony (such as practiced in Chinese therapy)

While color therapy was once regarded as a New Age fad, today the effects of colors on a person’s mind, body and spirit are well-documented. Even commercial paint manufacturers recognize the connection; some offer a specific range of paint colors that are designed to promote healing and wellness.

To utilize the healing power of color in your art, you can create paintings or drawings based on specific colors to bring about a certain adjustment in your (or someone else’s) mental, emotional, or physical state of being. You can use a combination of colors to evoke a certain state of mind. Experiment with different patterns and compositions and take note of how the paintings affect you.

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Have fun and relax with beautiful online painting art. So fun and easy to use with no mess but just a mouse!

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The Many Different Hues of Blue

The Many Different Hues of Blue.

The Many Different Hues of Blue

The Many Different Hues of Blue.