Tag Archives: computer

“The Pixel Painter”

The-Pixel-PainterHow would you respond to a losing your eyesight? What if physical limitations forced you to rethink your favorite activities? Could you adapt?

Setbacks can too easily keep us from doing what we love. More often than not it seems we are quick to accept restrictions and slow to persevere.

A 97 year old man is proving no obstacle – even blindness – needs to stop a pursuit of dreams. You are never too old to put art at the heart.

Who is “The Pixel Painter”

Hal Lasko suffers from wet macular degeneration. This type of visual impairment is age-related. The disease prohibits Hal from seeing fine detail. In fact, his vision has deteriorated to such a level that he is considered legally blind. Even though age-related macular degeneration causes trouble seeing straight ahead, Hal pursues artistic activities.

In his professional career, Hal Lasko was a type designer; an artist who created fonts. This allowed him to turn his attention to digital art. At that time, he did not know that a computer would later become his preferred medium for artwork.

Interestingly enough, there are no secrets or intricacies to the computer tool he uses to produce art. Hal uses one of the simplest apps: Microsoft Paint. On this program, Hal is able to enlarge portions of his design so he can see what he is doing.

It took him months to make the switch from brush to computer screen, but now he spends several hours a day creating detailed artwork. He creates beautiful landscapes with a digital look; they are beautiful and inspirational in unique ways.

Hal turns 98 this year. In honor of his birthday, all original work is available on http://www.hallasko.com/. Each piece is appropriately priced at $98.

To promote this special sale and chronicle the story of an artist, follow this link and watch Hal Lasko’s video interview: http://www.today.com/tech/legally-blind-97-year-old-makes-masterpieces-simple-paint-app-6C10732493.

Read more Segmation blog posts about Art and Disabilities:

Art Therapy Treats more than the Heart

How to turn your Passion into Profit

Art Beneath Your Feet

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Cactus Colors

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A cactus is a plant with a distinct appearance which has adapted well to dry and hot environments. Their stems have evolved to be photosynthetic (creating energy from sunlight) and succulent (retaining water). Their leaves have evolved into protective spines. There are many sizes and shapes of cacti which are frequently uses as ornamental plants throughout the world. Colorful flowers are grown from distinctive features called areoles. Our set of Cactus patterns are based on natural photographs and include many of the common varieties including Barrel Cactus, Queen Victoria Agave, Holiday Cactus, Prickly Pear, and Saguaro.

This set contains 27 paintable patterns.

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Is an art education necessary?

There’s an ongoing debate about whether an artist needs a ‘proper’ art education before they are considered a ‘true artist’. Some say yes, others say no. What do you think? Does an art education matter in this day and age?

First of all, what is an ‘art education’? Generally speaking, an art education can include anything like:

  • studying art in college
  • attending art workshops at a local center, or
  • taking private art lessons.

For some people, a ‘real’ art education means getting a college degree or studying for years with a master artist, like an apprentice.

Yet, there are also many ways for budding artists to educate themselves without attending college for art or studying under a master – and without spending a fortune.

Instructional videos, artist forums and art websites are readily available for free on the Internet, where you can learn just about any technique you can think of. Plus, magazines and books are available from local libraries.

Attending college for fine art is cost-prohibitive for many people, especially since a fine art education does not produce any qualifications for well-paying jobs. Engaging in ‘self-education’ allows an artist to save money and learn what they want to learn, at their own pace, instead of being forced through the college structure.

On the other hand, there are undeniable benefits to learning art techniques firsthand from a skilled artist – whether it involves watching an art professor paint on a canvas in a certain style, or looking over the shoulder of artists sketching at a figure drawing workshop. Those benefits can’t be gained from self-education.

As you can see, there are many pros and cons to getting an art education versus self-educating. Is either one better, or are they just different? What do you think?

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Camille Corot – French Landscape Artist (www.segmation.com)

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Jean-Baptiste-Camille Corot (July 17, 1796 – February 22, 1875) was the leading landscape painter of the 19th century French Barbizon School. His fresh, spontaneous approach to landscape broke the academic tradition and opened the doors to Impressionism.

Corot was born in Paris, the second of three children. His mother was a milliner and his father, a draper, managed her shop. Corot’s father wanted his son to follow in his footsteps, but after a short stint as an apprentice, and at the age of 25, he informed his parents that he wanted to become a full-time painter. His father didn’t approve, but was supportive and gave the young Corot a small annual allowance that had been destined for his youngest sister who had died in 1821.

The young Corot studied first in the studio of neo-classical landscape painter Achille-Etna Michallon then, in 1822, under Jean-Victor Bertin, Michallon’s teacher. Corot, however, preferred sketching outdoors from nature and made extensive studies of the forests near Paris and the Normandy seaports.

Following the tradition of most young French painters, Corot traveled to Italy in 1825 to study the Italian masters. His parents financed the trip on condition that he paint a self-portrait for them. He stayed in Italy for three formative and productive years: he produced over 200 drawings and 150 paintings. He painted historical monuments and scenery from nature. Under the intensity of the Italian sun, he learned to master the pictorial rendition of light. Corot visited Italy again in 1834 where he sketched Florence, Venice and the northern cities and he made another trip in the summer of 1843.

It was not only the Italian scenery and light that had Corot entranced. He was quite captivated by Italian women whom he painted in their regional costumes. Yet Corot never married. In 1826 he wrote to a friend that he wished to devote his entire being to painting and that he would never marry. He never formed a long-term relationship with a woman and remained close to his parents well into his fifties.

Upon his return to France, Corot concentrated on exhibiting at the official Salon, adapting and reworking some of his Italian paintings. One of these, The Bridge at Narni, was accepted to the 1827 Salon while Corot was still in Italy. For the next six years Corot would spend the spring and summer painting out of doors. In winter he would rework these outdoor sketches in his studio into large landscapes for exhibition at the Salon.

Corot was now a regular exhibitor at the Salon. In 1833, when he was in his late thirties, the Salon jury accepted a large landscape of the Fontainebleau forest and even awarded the painting a second-class medal. This meant that Corot now had the right to exhibit his works without approval by the jury. In 1835 Corot exhibited another important work, a biblical scene of Hagar in the Wilderness. It was a success with the critics, but his other biblical paintings did not meet with the same triumph.

Throughout the 1840s the critics were ambivalent about Corot’s paintings. Recognition came slowly and, although the state purchased one of his works in 1840 he did not sell many paintings. Nevertheless, Corot’s popularity was growing and after the 1848 Revolution his treatment by the critics improved. The French government awarded Corot the Legion of Honor medal in 1846 and in 1848 he was awarded another second-class medal by the Salon. In that same year Corot was a member of the Salon Jury and the state bought a few more of his paintings for French museums.

Corot was close to the Barbizon group and, after his parents’ death, he felt free to take on students. A constant stream of friends, collectors and visitors passed through his studio. His students included future Impressionists Berthe Morisot and Camille Pissarro.

Corot died in Paris of a stomach disorder at the age of 78 and was buried at the Père Lachaise cemetery.

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Camille Corot – French Landscape Artist


Jean-Baptiste-Camille Corot (1796-1875) was a French Landscape painter who had a strong influence on Impressionism. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century and his landscape style referenced a neo-classical style with a muted color palette. Many forgeries of Corot were created in the period 1870-1939, mostly because of his easy to imitate style. Our pattern set includes many examples of landscapes and portraits.

You’ll find “Woman with a Pear”, “The Bridge at Narmi”, “Meditation”, “Orpheus Leading Eurydice”, “Interrupted Reading”, “Recollections of Mortefontaine”, “A Windmill in Montmartre “, “The Letter”, ” Aqueducts in the Roman Campagna “, “Temple of Minerva Medica “, “Agostina”, and “Castel Gandolfo”. There are also several self portraits.

This set contains 50 paintable patterns.

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Introduction to Color Expert Johannes Itten

“Color is life; for a world without color appears to us as dead.” – Johannes Itten

When you take an art course on color theory, you can thank Johannes Itten for laying much of the foundation for what you’re being taught. Johannes Itten was a Swiss artist and teacher who taught at the Bauhaus in Germany. He published several books on art theory, the most popular being The Art of Color.

Sir Isaac Newton is credited with creating the first color wheel, which included 6 colors: red, orange, yellow, green, cyan and blue. Around 250 years later, Johannes Itten expanded Newton’s color wheel to include 12 colors instead of 6. These 12 colors included red, yellow and blue as the primary colors; orange, green and purple as the secondary colors, and 6 intermediary colors created by mixing a primary color with a secondary color. This is the same color wheel often used in school’s today to teach students about color theory.

Itten also examined color saturation, contrast and hue, devising theories for creating different color combinations that are still useful to artists and designers today. He looked at the expressiveness of color, and also the way colors affect one another. He also explored the emotional properties of colors which he considered to be fairly subjective, proposing that we each have different individual reactions to colors.

For more information about Johannes Itten and his color theories, look for his books online or in your local library.

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What Every Artist Should Know About Copyright (www.segmation.com)

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All artists should be aware of copyright – that is, the exclusive rights that you, as the creator of your art, are granted from the moment your artwork is created.

Because you are the copyright owner of your original artwork, you have the sole right to distribute your art and make reproductions of it. No one else can do this without your consent. If they do, it is illegal and you can take legal action.

Technically, the moment you create your artwork, it is copyrighted. While it might be helpful to draw or paint the copyright symbol © onto your art (followed by the year and your name), this symbol is no longer necessary to protect your copyright. It’s more of a visual reminder to let others know that your art is copyrighted.

However, if you should ever take someone to court because they infringed upon your copyright, the only way to get the utmost in legal protection is to register your copyright with the US Copyright Office. Ideally you should do this immediately after the artwork is finished.

If the artwork is registered with the US Copyright Office, offenders can be held liable for up to $30,000 in statutory damages or even $150,000 if you can prove that they already knew your art was copyrighted but reproduced it anyway.

Registering your copyright is easy. You can fill out the form entirely online at the website of the US Copyright Office, pay the fee, and upload images of your art. Once processing is complete, they will snail mail you a certificate of registration. Even though that may take a few months, your copyright is officially registered from the date you filled out the form, made the payment and uploaded your art.

The cost to register your art is $35, but if you register your artwork as a “series”, you can register as many works of art as you want (as long as they were created in the same year) for one single fee of $35. For instance, if you created 12 landscape paintings in 2010, you can register all 12 landscapes under the same claim for a single $35 fee. This is a great way to save money on registration fees.

In short, it’s always a wise idea to protect your copyright by registering your art with the US Copyright Office. If and when your art becomes wildly popular, you may need that legal protection if anyone infringes upon your copyright.

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How to Make a Passive Income from your Art (www.segmation.com)

Would you love to spend as much time as possible working on your art, instead of working a full-time job? For most artists, making a living from their art seems like an impossible dream that only a lucky few get the luxury to experience. But these days, being a full-time artist is within reach of more people than ever.

Art licensing and print-on-demand are two ways that you can create an ongoing passive income stream that pays the bills and gets your art (and your name!) out into the world.

Art licensing is a huge industry. As an artist, you can license your work to companies that can manufacture and sell your artwork on a dizzying variety of items, from greeting cards and calendars to umbrellas and rain boots. You can get paid a lump sum or an initial fee plus royalties.

Most artists who license their art work with a licensing agent who handles the business side of things, from finding licensors to drawing up contracts. If you want to dive into the world of art licensing, research art licensing agencies to determine which one is the best fit for your art. They will take a percentage of your earnings in return for representing you to their clients.

Print-on-demand is another way for artists to earn passive income. You can upload your artwork to print-on-demand sites such as Zazzle or Cafepress to create products such as t-shirts, mugs, stickers, and more. You can set your royalty rates and create as many products as you want.

Print-on-demand is an appealing income stream for artists because you can get started as soon as you want – you don’t have to wait for an agency to represent you. Once you design the products, the income from sales is truly passive.

If your dream is to make a living from your art, check out art licensing and print-on-demand – they might help to make your dream come true!

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From Sand Castles to Sand Sculptures

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Many of us have fond memories of building sand castles at the beach when we were children; overturning buckets of sand to create towers, digging out moats, and sticking seashells into the damp castle walls. Even though we weren’t consciously aware of it at the time, building sandcastles was a fun, hands-on way to express our creativity and let our imaginations run wild.

Building sand castles is not just for kids anymore! In the 1970s, the art of “sand sculpting” was born on the beaches of California, pioneered by visionaries who took the concept of sand castles several steps further by creating elaborate, detailed, breathtaking monuments out of sand. Animals, architecture and pop culture icons are common subjects for sand sculpture art, although the sky’s the limit. Sand sculptors have depicted everything from African wildlife to Greek gods and goddesses to scaled versions of the Taj Mahal.

Creating complex sand sculptures requires both technical skill and knowledge. In order to stay in place properly, the sand must be a certain consistency and contain a certain degree of moisture. Once the foundation is ready, it takes talent, time and energy to sculpt 3-D images into the sand without the sand falling to pieces. It’s no wonder that the best sand sculptors are actually professionals who get paid to create these magnificent works of art using all-natural materials.

Sand sculptures are a popular attraction on some of the world’s best beaches, from Canada to Florida to Australia. Next time you’re at the beach, why not see what you can create out of sand!

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Tips for Making the Most of Your Next Art Museum Visit www.segmation.com

Visiting art museums can be both fun and daunting. The Metropolitan Museum of Art, for example, contains over 2 million square feet of exhibition space – now that’s a lot of art! With room upon room filled with treasures from various civilizations, a visit to a major museum such as the Met is certainly an eye-opening, educational experience… but it can also be exhausting. Almost against your will, you’ll find that after awhile, your mind shuts down as you stare blankly at artwork after artwork.

Follow these tips to avoid that zombie-like state and glean the most from your visit to an art museum:

  • Study the museum map before you enter to familiarize yourself with everything the museum has to offer, then plan out a logical route that takes you through everything you want to see.
  • Don’t try to see everything at once. Prioritize your visit by planning to see the artwork you’re most interested in at the beginning of your museum visit, while your mind is still fresh.
  • Read the placards that explain what each exhibit and artwork is about. If you start to get burned out after awhile, don’t try to retain all the information. Just let your eyes skim over the information and absorb the key information. Look for artist, time period, medium, and location, if applicable.
  • Linger awhile in front of the pieces that most interest you, and contemplate why you like that particular piece. It is better to spend time examining the artwork you really enjoy, rather than to rush through rooms full of art that you really don’t care about.
  • If photographs are allowed, take photos of the pieces that most interest you. You should also photograph the title card of the piece, so that you can research the artist and artwork later.
  • Carry a sketchbook with you to jot down notes, ideas, impressions, and sketches of artwork that catches your eye. If photographs are not allowed, a sketchbook can be a useful substitute.
  • If you need a break, sit down in the museum cafe and rest your eyes for awhile. Fresh air can help if you’re feeling burned out, but if you leave the museum to step outside, make sure it is okay for you to re-enter without having to pay the entry fee again.

Follow these tips and your next trip to an art museum will leave you happily saturated with creative inspiration!

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