“Morbid Curiosity”–A Chicago Cultural Center Exhibit

The Chicago Cultural Center opened a very unique and intense art exhibit in January called “Morbid Curiosity.” The exhibit is truly unique because it showcases the work not of a singular artist, but of a collector. The art exhibit is extremely intense because its theme is death.

Richard Harris has spent twelve years collecting pieces of art that convey the many themes of death. The Chicago Cultural Center has over 1,000 of Harris’s pieces on display–they include artifacts, photographs, and decorative objects.

Surprisingly, this is only a portion of the pieces that Harris has collected over the years. His entire collection of death-related art totals more than 1,500 pieces. The museum’s curators, alongside Harris, created a replica of the Cultural Center in order to choose which pieces should be included and how they should be exhibited. Several practice runs led to the many-roomed “Morbid Curiosity” exhibit.

The goal of the exhibit is to address the many facets of death. One entire section of the Chicago Cultural Center is devoted to Mexico’s Day of the Dead. This portion of the exhibit contains a funeral procession of death-related artwork including altar paintings, drawings, and photography.

Another room offers a religious perspective on death. Christian and Catholic artwork provides a foundation on which to examine the common fate we all share in our relationship with death. Artistic images are used to relate the concept of death to the individual.

One room in the Chicago Cultural Center has been affectionately dubbed “the war room” and contains pieces of art that reflect the toll that human action, particularly war, can have on human life.

The exhibit also includes a 13 foot chandelier made of 3,000 plaster bones, 50 photographs, dozens of skulls, real and artistic representations, and Japanese pieces of art made from bone.

Be warned–this exhibit is not for the squeamish. However, “Morbid Curiosity” is perhaps the most suitable name for this exhibit. After all, death may very well be the single thing we all have in common. Richard Harris, along with the Chicago Cultural Center, has afforded us the opportunity to examine how different cultures, religions, and individual actions relate to death. The exhibit ends in July.

http://www.chicagotribune.com/entertainment/ct-ent-0126-museums-morbid-20120125,0,7002015.story

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Art Alive

If you’ve never been to the San Diego Museum of Art for their yearly event, Art Alive, this is the year you should participate. The San Diego Museum of Art challenges floral designers to make the artistic masterpieces housed in their museum come alive through their floral interpretations. This four day event, beginning April 12 and ending on April 15, will fill the museum with thousands of flowers and, hopefully, thousands of visitors. The pictures in this blog post are examples of what you can expect to see at Art Alive.

Floral designers of all levels, from amateur to professional, gather at the museum to create floral sculptures that mimic famous pieces of art. The sculptures of flower arrangements depict images painted on canvas, from portraits to landscapes. Throughout the four day-long festivities, these living floral arrangements will be placed beside the famous pieces of art they are interpreting.

The museum’s masterpieces truly come alive as they are interpreted by these creative floral designers. You will be surprised and delighted to see how imagination comes alive when flowers meet with paint. The floral designers make use of light, color, and structural ingenuity to make these canvas paintings take on a new dimension. Art Alive celebrates artistic masterpieces of all types.

The four day-long event will be packed with activities. The event begins with an opening celebration on April 12 and includes a dinner for guests and a sneak peek at the Art Alive floral designs with their painted counterparts. The exhibition is open to the public beginning April 13. The Art Alive exhibition will also included fun events for children and families. These events will be geared towards the idea that art is alive.

Flowers After Hours is another nighttime event in which guests can peruse the floral art exhibit while sampling tasty hors d’oeuvres and drinks. Behind the scenes, these floral designers are competing hard to create their own artistic masterpieces inspired by the famous works located at the San Diego Museum of Art.

If you plan on visiting the Art Alive exhibit at the San Diego Museum of Art, be prepared to pay an entry fee. Rest assured that this fee is going to a good cause–Art Alive is one of the museum’s greatest fundraising events. The proceeds will go towards special exhibitions, educational outreach programs, and art conservation projects.

Can you imagine a more perfect way to usher in Spring?

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4 Reminders Why Art is Important

Art is important. It is of the highest value to our individual selves and an intrinsic part of culture. However, in the 21st century, we often find ourselves taking art for granted. This is why it is important to be reminded about just how important art is to us.

After exploring the history of art and opening ourselves to the reality of its importance, we’ll take a look at 4 reasons why art benefits everyone.

Why do we take art for granted?

Think back to the first time you walked into an art museum. Remember how magnificent everything appeared, with the halls full of paintings, photographs, sculptures, mosaics, and so on? Large spaces set up with exhibits allowed art to tell a story, highlighted an artist or explain a segment of history.

But when was the last time you entered an art museum and experienced breathtaking art up close?

In the past century, the introduction of technology has brought fine-art into our homes. This only advanced with the evolution of technology, computers and the internet. It also allowed another branch of art to form — digital art.

However, the only way to advance art from the point we are currently at, is to look back at the history of art and acknowledge what it has always done for us humans.

4 reminders why art is important

Art is individual

Art appeals to the senses

Art is collective

Art is ritualistic

Individual— Art has the ability to evoke special feelings inside of an individual.  The fact that art makes people feel special is undeniable and relates directly to every human’s need “to embellish, decorate and personalize,” writes Cathy Malchiodi. In her recent blog post, What is Art For? The Restoring Power of Imagination, she explains how important art is to an individual because of our unique taste for aesthetically pleasing design and appealing imagery.

Sensory—

The reason why people have different tastes in art is because art has the ability to stimulate our senses. It is believed that art practices, in general, came about as a health-giving behavior. This means that art makes people feel good; it encourages them to be lively and brings playful qualities to difficult circumstances. Before visual art, humans used other forms of art to stimulate their senses like rhythm, story telling, order, pattern, natural color, and body movement. Nevertheless, all art forms, with an emphasis on visual art, give humans a sensory experience that can lift the spirits of any individual.

Collective— While art does wonders for an individual in the sense of growth and sensual stimulation, art is actually a community experience. After all, it is most often created to be enjoyed by others — not just the artist. It speaks to a time and place, and engages all who relate to it’s message. Even though reactions to art differ, coming together for the purpose of art has been, and always will be, a center point of human community. It is where we can gather to celebrate or grieve life’s most important events and issues. Not to mention, in the 21st century as all times before, it gives people reason to come together.

Ritualistic— People who gather together to create and critique art have more unifying interactions and ceremonies than groups who don’t. A evolutionary ethologist, Ellen Dissanayake, makes the point that historically, people who came together for the purpose of art “…were able to survive longer than those who did not engage in using art.” Art rituals have been part the human experience since its beginnings. In fact, much of history reflects that people have always come together for the purpose of art. Do you remember studying Tibetan sand paintings? Or Native American totem-polls? These were sacred rituals for cultural groups at certain times throughout history. Malchiodi points out how these rituals were founded in human survival-instinct because “they help us make meaning of life as well as reduce life’s inevitable stresses.”

Hopefully, these 4 reminders refresh your memory as to why art is important. It is likely that you have personal reasons why you appreciate art. Segmation wants to hear about those moment. Comment below and share with us about why art is important to you.

Top image made available by Torley on Flickr through Creative Common License

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Bauhaus Art School

Are you impressed to learn about the invention of Op-Art?

The modern art style, best associated with the art and theory of Josef Albers, influenced an artistic evolution throughout the 20th century, and continues to impact the 21st century as well.

But did you know that this trendy new art form started in Germany in the early 1900’s? Even more, it was created and taught at a school that was also a forerunner for architecture, graphic design, interior design, industrial design, and typography.

The famous school of art, called Bauhaus, existed in three different parts of Germany between the years of 1919 and 1933. This seems like a short period of time to have such a strong influence on the world. However, the principal thoughts and practices that encouraged artists at Bauhaus traveled with them and spread throughout the world when many of the practicing students and teachers had to emigrate during Nazi control.

The Bauhaus art school was known as a “House of Construction” or a “School of Building.” Even though studies in architecture were not implemented until later, the school built its values on the idea that creating a “total” work of art incorporates multiple elements of art.

A good example of this is optical art’s use of three types of elements: optical illusions, canvas painting, and color. Perhaps it was this concept of completeness that catapulted the Bauhaus style into success, becoming one of the most influential styles in modern art, design and architecture.

Another thought that contributed to the success of Bauhaus was the founding philosophical principle of constructivism. This term originated in Russia and commonly associated with the idea that art could contribute to a better society. With major political and economic shifts happening all over the world, especially in Europe, people learned they could express themselves and propel a positive message with art. Even though there was a negative atmosphere in the world during the time of World War I and leading up to World War II, individual artists knew that art had the power to carry the significant message of peace.

In a war-torn society, Bauhaus school had much to teach. Here are some common art forms that excelled and were mastered by artists at the school between 1919 and 1933:

• Woodworking
• Cabinetmaking
• Work with Metal
• Ceramics
• Weaving
• Printing and typography
• Theater
• Drawing
• Painting
• Photography
• Architecture

Bauhaus art school existed at a poignant time in history. It’s location in the world and foundational European thought are two of the many reasons why it is still a reputable resource for art history today. The other reasons are artists, styles and creations that were consistently produced by the school. These are the pieces that influence modern art today, and will continue to do so evermore.

Camille Corot – French Landscape Artist

Jean-Baptiste-Camille Corot (1796-1875) was a French Landscape painter who had a strong influence on Impressionism. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century and his landscape style referenced a neo-classical style with a muted color palette. Many forgeries of Corot were created in the period 1870-1939, mostly because of his easy to imitate style. Our pattern set includes many examples of landscapes and portraits.

You’ll find “Woman with a Pear”, “The Bridge at Narmi”, “Meditation”, “Orpheus Leading Eurydice”, “Interrupted Reading”, “Recollections of Mortefontaine”, “A Windmill in Montmartre “, “The Letter”, ” Aqueducts in the Roman Campagna “, “Temple of Minerva Medica “, “Agostina”, and “Castel Gandolfo”. There are also several self portraits.

This set contains 50 paintable patterns.

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The Many Different Hues of Blue

The Many Different Hues of Blue.

The Many Different Hues of Blue

The Many Different Hues of Blue.

The Many Different Hues of Blue

The Many Different Hues of Blue.

How to Photograph Your Art

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It’s important to take good photos of your Art for many reasons.  Photos of your work will be used for several purposes:

• To show your work to prospective galleries
• To display on your website
• To use on your business cards and other promotional materials
• To serve as a record of what you have created

Back in the day, manual SLR cameras were the norm for taking high-quality photographs of artwork.  These days it’s possible to take good photographs of your art using consumer-quality point-and-shoot digital cameras – the kind you use for everyday purposes.  If you plan to print any of the photos of your art, keep in mind that the higher the pixels, the larger you’ll be able to print while maintaining a sharp clarity.

You can choose to shoot your artwork indoors or outdoors.  If you photograph your work indoors, drape a black velvet cloth on the wall and hang your artwork in front of it, at level with the camera, which should be placed on a tripod for ultimate stability.  Place two tungsten light bulbs inside two clamp lights and space them at equal points on either side of the camera, pointing towards the art at an approximate 45 degree angle.  Then point and shoot!

These days it’s not necessary to create an indoor photo set-up to get decent pictures of your art.  Many artists take photos of their artwork outside, because it is far easier than setting up a photo area indoors.  By using a digital camera and a photo-editing program, you can almost always get good photos of your art even if outdoor conditions aren’t 100% perfect.

It’s best to take photos of your art on a sunny day, to bring out the best in your artwork’s colors, but be careful to position your artwork either at an angle to the sun or place your artwork in the shade so that the direct sunlight does not cause a glare.  It may take some experimentation to get it just right, but the great thing about digital cameras is that you can take all the photos you want without worrying about wasting film.

After you’ve taken the photos and uploaded them to your computer, choose the best ones and edit them in a program like Photoshop or GIMP.  In these photo-editing programs, you can adjust the image’s brightness and contrast, hues and saturation, as well as crop the image.

Thanks to digital photography and photo-editing programs, taking accurate photos of your artwork is easier than ever!

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Tips for Making the Most of Your Next Art Museum Visit www.segmation.com

Visiting art museums can be both fun and daunting. The Metropolitan Museum of Art, for example, contains over 2 million square feet of exhibition space – now that’s a lot of art! With room upon room filled with treasures from various civilizations, a visit to a major museum such as the Met is certainly an eye-opening, educational experience… but it can also be exhausting. Almost against your will, you’ll find that after awhile, your mind shuts down as you stare blankly at artwork after artwork.

Follow these tips to avoid that zombie-like state and glean the most from your visit to an art museum:

• Study the museum map before you enter to familiarize yourself with everything the museum has to offer, then plan out a logical route that takes you through everything you want to see.
• Don’t try to see everything at once. Prioritize your visit by planning to see the artwork you’re most interested in at the beginning of your museum visit, while your mind is still fresh.
• Read the placards that explain what each exhibit and artwork is about. If you start to get burned out after awhile, don’t try to retain all the information. Just let your eyes skim over the information and absorb the key information. Look for artist, time period, medium, and location, if applicable.
• Linger awhile in front of the pieces that most interest you, and contemplate why you like that particular piece. It is better to spend time examining the artwork you really enjoy, rather than to rush through rooms full of art that you really don’t care about.
• If photographs are allowed, take photos of the pieces that most interest you. You should also photograph the title card of the piece, so that you can research the artist and artwork later.
• Carry a sketchbook with you to jot down notes, ideas, impressions, and sketches of artwork that catches your eye. If photographs are not allowed, a sketchbook can be a useful substitute.
• If you need a break, sit down in the museum cafe and rest your eyes for awhile. Fresh air can help if you’re feeling burned out, but if you leave the museum to step outside, make sure it is okay for you to re-enter without having to pay the entry fee again.

Follow these tips and your next trip to an art museum will leave you happily saturated with creative inspiration!

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