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Aliens and UFOs

Aliens and UFOs

Aliens and UFOs

New Pattern Set for SegPlayPC Aliens and UFOs recently released (see more details here)

UFOs are unidentified flying objects and is an object in the sky not readily identifiable to any observer as a known object. In popular culture in the 1950’s the term flying saucer was also attributed to these objects, based on several publicized sightings.

Aliens are extraterrestrial life forms, typically considered to be more advanced than humans. Whether real or imaginary, UFOs and Alien creatures make for fascinating folk lore, urban legends, and science fiction entertainment.

Our set of UFO and Alien patterns are based on simple illustrations which depict the most common attributes of both. You’ll find aliens with large eyes, triangular head shapes, green colored skin, thin arms and legs, and long necks, and UFOs in the form of flying saucers with pulsing lights.

This set contains 21 paintable patterns.

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Henry Ossawa Tanner – Influential Black American Artist

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Henry Ossawa Tanner (1859 – 1937) was an African American artist who was influential around the world with his art style. He was born in Philadelphia and schooled in fine arts. Although he first tried to set up a photography studio in Atlanta, he subsequently left the US and moved to Paris where he attempted to gain artistic acceptance.

He was quickly introduced to new artworks and artists, and studied under renowned artists. While his early works, such as were concerned with everyday life as an African American, his later paintings focused mainly on the religious subjects for which he is now best known.

Our pattern collection includes many of his most recognized pieces including “The Banjo Lesson”, “The Annunciation”, “Sand Dunes at Sunset, Atlantic City”, “Gateway, Tangier”, “Booker T. Washington”, “Flight into Egypt”, and “The Resurrection of Lazarus”. This set contains 32 paintable patterns.

Be a Artist in 2 minutes with Segmation SegPlay® PC Henry Ossawa Tanner – Influential Black American Artist
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Cactus Colors

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A cactus is a plant with a distinct appearance which has adapted well to dry and hot environments. Their stems have evolved to be photosynthetic (creating energy from sunlight) and succulent (retaining water). Their leaves have evolved into protective spines. There are many sizes and shapes of cacti which are frequently uses as ornamental plants throughout the world. Colorful flowers are grown from distinctive features called areoles. Our set of Cactus patterns are based on natural photographs and include many of the common varieties including Barrel Cactus, Queen Victoria Agave, Holiday Cactus, Prickly Pear, and Saguaro.

This set contains 27 paintable patterns.

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Introduction to Color Expert Johannes Itten

“Color is life; for a world without color appears to us as dead.” – Johannes Itten

When you take an art course on color theory, you can thank Johannes Itten for laying much of the foundation for what you’re being taught. Johannes Itten was a Swiss artist and teacher who taught at the Bauhaus in Germany. He published several books on art theory, the most popular being The Art of Color.

Sir Isaac Newton is credited with creating the first color wheel, which included 6 colors: red, orange, yellow, green, cyan and blue. Around 250 years later, Johannes Itten expanded Newton’s color wheel to include 12 colors instead of 6. These 12 colors included red, yellow and blue as the primary colors; orange, green and purple as the secondary colors, and 6 intermediary colors created by mixing a primary color with a secondary color. This is the same color wheel often used in school’s today to teach students about color theory.

Itten also examined color saturation, contrast and hue, devising theories for creating different color combinations that are still useful to artists and designers today. He looked at the expressiveness of color, and also the way colors affect one another. He also explored the emotional properties of colors which he considered to be fairly subjective, proposing that we each have different individual reactions to colors.

For more information about Johannes Itten and his color theories, look for his books online or in your local library.

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The Psychology of Color

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Color affects more than just the way things look – it also changes the way we perceive objects by affecting our mood and emotions. Altering the color of an item in a painting might seem like a trivial detail, but it can dramatically impact the way viewers will assess and interpret an object’s meaning.

Psychologists have studied the effects that different colors have on the human mind, and have noted significant differences in how people react to events, how they speak, and even how they score on tests when exposed to different hues.

In chromotherapy, the science of healing through color, each shade is believed to have a specific impact on mood:

• Red is invigorating and may evoke either warmth or anger
• Orange is energizing and inspires creativity
• Yellow has been shown to stimulate the mind
• Green is soothing and calming
• Blue is calming and spiritual
• Indigo is soothing and promotes introspection
• Violet is uplifting and spiritual
• Pink is warm and soothing
• White is uplifting but stark
• Black is grounding and introspective
• Silver and grey are calming

For your next project, consider the impact that your chosen colors will have on viewers. You may be surprised at the difference a red coat or a blue coat, a yellow flower or a blue flower, can have on the impact of your work.

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The Healing Power of Color (www.segmation.com)

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As an artist, you are probably aware of the effects that different colors can have on your state of mind and emotional well-being. In fact, in a past article we discussed the psychology of color and provided an overview of how each color can impact your mood.

In this article, we’ll take a look at color therapy, also known as chromotherapy, and how you can apply the basic principles of chromotherapy in your art.

Color therapy involves using, or meditating upon, specific colors to help you find balance and harmony, both inner and outer. There are many forms of color therapy, such as:

  • surrounding yourself with a color that represents characteristics that you feel are lacking in your life, to achieve balance
  • immersing yourself in a color that represents characteristics, or states of being, that you aspire to
  • using colors to “cleanse” your physical body and achieve physiological harmony (such as practiced in Chinese therapy)

While color therapy was once regarded as a New Age fad, today the effects of colors on a person’s mind, body and spirit are well-documented. Even commercial paint manufacturers recognize the connection; some offer a specific range of paint colors that are designed to promote healing and wellness.

To utilize the healing power of color in your art, you can create paintings or drawings based on specific colors to bring about a certain adjustment in your (or someone else’s) mental, emotional, or physical state of being. You can use a combination of colors to evoke a certain state of mind. Experiment with different patterns and compositions and take note of how the paintings affect you.

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Giotto di Bondone – Father of European Painting (www.segmation.com)


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Giotto di Bondone (c. 1267 – 1337), known simply as Giotto, was a Florentine painter and architect. He is now considered the first great master of the Italian Renaissance and the founder of modern European painting. Giotto’s natural and realistic style broke away from the symbolism of Byzantine art and was the catalyst that marked the start of the Renaissance.

Giotto was born in a small hamlet north of Florence. His father was a farmer and Giotto probably spent much of his youth as a shepherd. According to art historian Giorgio Vasari, the renowned Florentine artist, Cimabue, who was the last great painter in the Byzantine style, discovered the young Giotto drawing pictures of sheep on a rock. Cimabue was so impressed by the young boy’s talent that he immediately took him on as an apprentice. That story may be apocryphal but by around 1280 Giotto was working in Florence and by 1312 he was a member of the Florentine Guild of doctors and apothecaries, a guild that also included painters. He traveled to Rome with Cimabue and may well have worked on some of the master’s commissions.

Giotto signed his name to just three paintings. All other attributions to him are speculative and the unresolved controversy has raged through the art world for over a hundred years. Nevertheless, his work stands at the brink of a new age in art. He concentrated on representing human emotions, people in everyday situations, and capturing the human experience through his art.

Although he lacked the technical knowledge of perspective, he created a convincing three-dimensional pictorial space. His genius was immediately recognized by his contemporaries; he was lauded by great philosophers, writers and thinkers of his day, among them Dante and Boccaccio. Under Giotto’s leadership the old, stylized Byzantine art forms slowly disappeared from Florence, and later from other Italian cities. His freedom of expression influenced artists of the early and high Renaissance, and changed the course of European painting.

One of Giotto’s finest works is the series of frescoes painted 1304-1305 for the Scrovegni chapel in Padua, usually known as the Arena Chapel. The 37 scenes depict the lives of Christ and the Virgin Mary and are considered to be one of the masterpieces of the Early Renaissance. The figures in his paintings interact, gossip, and look at each other.

From 1306 to 1311 Giotto was in Assisi where some art historians believe he painted the fresco cycle of the Life of St. Francis. Although the style of the frescoes is realistic and breaks away from the Byzantine stylization, the controversy is caused by the stylistic differences between the St. Francis and Arena Chapel frescoes. Documents that could have proved the origin of the commissions were destroyed by Napoleon’s troops when they occupied the town in the early 19th century.

Giotto received commissions from princes and high officials of the church in Florence, Naples and Rome. Most scholars agree that he painted the frescoes in the Church of the Santa Croce in Florence and although he never signed the Ognissanti Madonna altarpiece, the Florentine work is universally recognized as being by him. It is known that Giotto was in Florence from 1314-1327 and the large panel painting depicting the Virgin was painted around 1310. The face of the Virgin is so expressive that it may well have been painted using a live model.

Towards the end of his life, Giotto was assigned to build the Campanile of the Florence Cathedral. In 1334 he was named chief architect and, although the Campanile is known as “Giotto’s Tower,” it was probably not built to his design specifications.

Giotto died in January, 1337. Even his burial place is surrounded by mystery. Vasari believed he was buried in the Cathedral of Florence, while other scholars claimed he was buried in the Church of Santa Reparata. But Giotto left an artistic legacy that could not be ignored. His disciples, Bernardo Daddi and Taddeo Gaddi continued in the master’s tradition and, a century later, the artistic torch lit by Giotto was passed on to Michelangelo and Raphael, the great masters of the High Renaissance.

Giotto made a radical break from the Byzantine (abstract – anti-naturalistic) style and brought more life to art. Giotto primarily painted Christian themes depicted in cycles and is best known for his frescos in various Chapels (Arene Chapel, Florence Cathedral, Assisi, Scrovegni).

Our pattern set collection features many of his more familiar works including the Ognissanti Madonna, The Mourning of Christ, The Marriage at Cana, The Mourning of St. Francis, Crucifixion and Madonna and Child.

Giotto di Bondone

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