Crisp Imagery through Color Enhancing Technology

3a Crisp Imagery through Color Enhancing TechnologyWhen you look at an image, it is safe to assume that you are seeing it through three color sensors: green, blue, and red. Can you imagine seeing an image through 12 times the amount of sensors?

The University of Granada in Spain and Polytechnic University of Milan, Italy, recently unveiled design plans for a “multispectral imaging system capable of obtaining information from a total of 36 colour channels.”

The Polytechnic University of Milan is responsible for creating the sensors, known as Transverse Field Detectors (TFD). These sensors “…are capable of extracting the full colour information from each pixel in the image without the need for a layer of colour filter on them.” The Color Imaging Lab at the University of Granada has created a system that enhances these sensors and puts all 36 color channels to good use.

While this technology will be available to medical and government industries at first, there is a good chance it will someday transform the images we see on our mobile devices and personal computers.

The digital devices we use every day currently have color image sensors limited to the basic three color channels. As you can imagine, this impacts how we perceive color and lessens the quality of the images we see. If our handheld devices and personal computers offer 36 color channels someday, the colors we see onscreen will appear true to life.

Before this technology makes it into our homes it will be used for important activities that depend on poignant but stubborn details, like medical imaging and detecting counterfeit currency.

3b Crisp Imagery through Color Enhancing TechnologyFor now the technology is making it easy to facilitate the “capture of multispectral images in real time.” According to Wikipedia, “A multispectral image is one that captures image data at specific frequencies across the electromagnetic spectrum. The wavelengths may be separated by filters or by the use of instruments that are sensitive to particular wavelengths, including light from frequencies beyond the visible light range, such as infrared.”

The Principal Investigator on this project is thrilled about the potential TFD technology has to “…turn the light they receive into electric signals.” He believes that this technology will aid and advance a variety of industries and research fields.

Even though the technology is young, trials of the Transverse Field Detectors are taking place in locations like the USA.

Learn more about the research that is leading the way to crisper imagery through color enhancing technology:

Imaging Resource

University of Granada

Read more Segmation blog posts about art and color:

Hues, Tints, Tones and Shades – What’s the Difference?

Basic Color Theory – Color Matters

Pantone’s World of Color

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Graphic Designer Creates a Different TYPE of Art

What do you call a graphic artist who does not need a computer?

A typewriter artist.

Born and raised in Rio de Janeiro, Brazil, Álvaro Franca is often called a graphic designer but may be better known as a typographer or type designer. He creates fonts.

What is your favorite font? You might use Calibri, Arial, Tahoma, or Times New Roman. Franca develops fonts that are seen online and in print. He has developed fonts for reading purposes and as parts of advertisements. He even designed labels for beer bottles.

Franca uses a computer to craft font types, but it is what he creates with a vintage typewriter that makes the 22-year-old artist most impressive.

In a collection of work titled, Typewritten Portraits, Franca creates portraits by using a vintage typewriter to strategically placing single characters on a blank sheet of paper. To deepen the complexity of his work, he defines, shapes, and shades the faces of infamous authors so they are recognizable and, in some cases, may be mistaken for sketch art.

The method for creating Typewritten Portraits was conceptualized by Franca in 2013. While he might be the first person to use a typewriter to recreate portraits of Jose Saramago, Charles H. Bukowski, J.D. Salinger, Jack Kerouac, and Clarice Lispector, he was not the first artist to use a vintage typewriter as an art medium.

In 2012, Segmation wrote a blog about vintage typewriter collector and artist Keira Rathbone. Rathbone lives in London and uses over 30 typewriters to create original works of art.

While both artists use typewriters, Franca and Rathbone have contrasting approaches to creating art. Using his computer, Franca created a method that allows him to know exactly where to put characters on a typewriter page. For instance, from the start, he maps out where to add the letter “m,” which is the character he uses to add depth and dimension to portraits.

Rathbone, on the other hand, does not sketch or outline any of her art. With a well-trained eye, she is able to create scenes from her imagination and recreate images she sees. By going over parts of a picture multiple times she produces the perfect amount of shading. This gives her images the level of depth and dimension that Franca factors in from the start.

These two artists live a world apart but both use typewriters to create masterpieces. Rathbone truly needs no computer while Franca uses his for precision. Watch the artists at work and let us know which approach you like better. Leave us a comment at the bottom of this page.

<p><a href=”http://vimeo.com/90642350″>Typewritten Portraits</a> from <a href=”http://vimeo.com/alvarofranca”>&Aacute;lvaro Franca</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

 

Read more Segmation blog posts about art and color:

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An Artist’s Story of Taking Risks and Staying Determined

Like many artists, Alexis Lawson found herself at a fork in the road. One path boasted little brush, bright lighting, and a trail that went as far as the eye could see. This was the path of education; after finishing her schooling, she would become a teacher with a salary, pension, and set vacation days. The other path was barely visible, covered with thick foliage and debris. She couldn’t see where it led beyond a couple steps. This was the path of professional photography.

Alexis took the path less traveled. Shortly after her daughter was born, about five years ago, she decided to avoid the safe route and go out on a limb. She became a professional photographer.

Since making this decision, the artist’s path has taken Alexis on a journey of discovery. As she progressed in her career, she experienced many changes. For instance, Alexis’s photography career started with taking pictures of children and families. Today, Alexis specializes in couture female portraiture.

The Palm Beach based photographer was turned onto glamour photography by Sue Bryce, the portrait photographer behind the Olay Best Beautiful Stories. To follow in Bryce’s footsteps, Alexis signed up for mentorships and workshops with photographers who specialized in shooting “glamour shots.” Alexis admits that photographing women as if they were Vogue cover models “hit home” with her. It was this feeling and her admiration for women—who, like her, managed careers, homes, and families—that prompted her to shine a light on their inner and outer beauty.

After realizing this, Alexis stepped out onto another limb. She turned the back room of her home into a photography studio. Even though there was no guarantee people would come into this space or solicit her services, she took the chance and made a massive renovation.

With a studio in place, Alexis knew it was up to her to bring in women to photograph. She began pounding the pavement, working 50 hours a week to network and market her unique services. All the while, Alexis knew that what she told the women she photographed applied to her, too. “Be true to yourself and stick to it,” she would say.

Like many artists, Alexis had talent. But beyond talent, she worked hard to make her dreams come true. The evolution of her career involved taking risks, working hard, and overcoming obstacles. As she took time to navigate the rocky terrain of the path she chose, she remained focused on the most important thing: being true to the artist inside her.

Today, Alexis Lawson can be found in Palm Beach, shooting couture photographs from her in-home studio. Visit Alexis’s website to see an extensive display of her photography: http://www.alexislawsoncreative.com/.

If you want to be a professional artist, you can. Take the path less travel. Step out onto a limb and work hard to make your dreams reality. And take Alexis’s advice: Be true to yourself and stick to it.

Colorful Jewelry Inspired by Classic Art

Art and jewelry merge at this year’s Biennale des Antiquaires. At this biannual event, collectors are presented with high fashion jewelry created by top designers. The jewelry is rare because designers craft pieces to reflect famous artwork. To create these pieces, jewelers are pulling their inspiration from artists like Impressionist painter, Monet and Dutch artist, Mondrian. The result is a unique set of designs driven by the tastes and preferences of modern art’s most significant influences.

~Claire Dévé-Rakoff is creative director at Chaumet. She insists that color will take precedence over stones this year. Her palate was comprised of soft pastels pulled straight from the Impressionist era. In fact, she directly references Claude Monet when mentioning Chaumet’s theme of light and water. She is especially interested in the way light and water play together and the color combinations that are created as a result; yellow diamond and blue sapphire, for example.

~Chanel also plays with light in its Sunset collection. The work conjures the emotion and calm of pink and golden sunsets. White diamonds and pink sapphires mix with pastel opals to imitate the streaks of color seen at dusk. Their centerpiece, a necklace of white and pink gold, surrounds a sapphire with subtle hints of orange.

~A designer returning to the show this year, Wallace Chan of Hong Kong, found inspiration in the work of Piet Mondrian. Chan’s attraction to geometric shapes and clean lines was due to, what he called, “a quest for purity.” Bright green garnets and tourmalines contrast pink rubelittes and sapphires in a gorgeous ring.

~A newcomer to The Biennale, Giampierro Bodino, calls on Italian influences and colors, particularly those of Renaissance painter, Sandro Botticelli. No doubt there’s a bit of national pride behind the Milanese designer’s work, as Italy, perhaps more than any other country, has a rich heritage of art and culture. Pastels and vibrant colors are present here, providing beautiful combinations. A cuff designed by Bodino is made up of green chyroprase which sits inside purple sapphires and diamonds of white gold. Another cuff features light pink opals set against pink sapphires and diamonds, mounted in rose gold.

It is a year of new influences at the 2014 Biennale des Antiquaires. Well, new influences that, at the same time, happen to be old. Top designers found a wealth of inspiration for color and tone in the works of famous artists of the past. This inspiration is credited with producing collections of vibrancy, elegance, and simplicity. It’s a communication between the arts. Indeed, it’s like a miniature renaissance in jewelry.

Read more Segmation blog posts about art and color:

Basic Color Theory – Color Matters

Can Color Exist in the Dark?

The Psychology of Color

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James Ostrer’s Junk Food Art

 
Obesity is considered a major health crisis in the United States and many other countries. According to the Food Research and Action Center, “Obesity rates have more than doubled” since the 1970s. It has also been reported that two-thirds of Americans are considered overweight or obese.

While media pundits and nutritional scientists speculate the cause of obesity, one source of the problem seems apparent: junk food.

Humans love junk food. And many of us are addicted to it (which some claim is the food industry’s goal.) When considering this truth, it is safe to say that junk food has changed the face of our culture.

One artist, photographer James Ostrer decided to explore this phenomenon with his latest series, entitled, “Wotsit All About?”

If you called the series horrific, he might not mind. Using junk food, he produced some of the most disturbing images you can imagine. Monsters.

Coping With Junk

At an early age, James Ostrer’s parents divorced. It was a troubling time for him and his parents did what they could to lift their child’s spirits. His father, in particular, thought Happy Meal’s would work. Therefore, whenever Ostrer’s father picked him up for the week, he started things off with a trip to McDonald’s.

Unfortunately, instead of lifting Ostrer’s mood, this tradition brought on a bad habit. Ostrer began turning to junk food as a way to cope with stress. As he got older, Ostrer noticed his health was in decline. This got him thinking about how his relationship with junk food negatively impacted his life. He also began to reflect on how junk food impacts the world. That was when inspiration struck.

Happy Meal Monsters

The result was a series of portraits that showcased grotesque monsters made entirely of junk foods like candy, burgers, and chocolate. Ostrer used junk food as material to completely cover his models from head to toe. After eight hours in the “makeup” chair, each monster emerged looking horrifying and disturbing. This was Ostrer’s goal. The photographer successfully made the point that our relationship with junk food is indeed horrifying, grotesque, and disturbing.

Ostrer also titles his photographs to enrich his message. Each one contains the letters, “EF,” followed by a number. “EF” stands for “emotional fossil.” This structure mirrors what is called “E numbers.” The Food Standards Agency’s code for what are considered safe additives. The reviews are strict but somehow, fast food restaurants keep managing to receive passing grades.

Ostrer’s monsters have their own E numbers, indicating that they are “safe.” But Ostrer second guesses their labels by asking, “Are these monsters safe?”

Is Junk Food Safe?

Health is a global issue and junk food is too, especially in America. More often than not, what seems harmless turns out to be destructive. James Ostrer’s work reflects this fact with a bit of a twisted view. Ostrer tells us these junk food monsters are on the loose, but instead of running from them, we invite them into our bodies every day.

By viewing Ostrer’s photographs, we are invited into his perspective; a perspective that he hopes will alter the trends of junk food.

Read more Segmation blog posts about food art:

Food Never Looked So Good

Coloring Each Season with Healthy Food

Thanksgiving Scenes Influences Art

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COLORI – The Vibrancy of Philanthropy

 

colori logoYour compassion, drive, and creativity can make a difference in your community and the world. When you use your unique skill set and the tools that are at your disposal, there are no limits on how you can give back to your community.

One woman who gives back in a creative way is Lori Samuels. As the founder of the Colori Design shop in San Marino, Samuels uses her love for color to advance an important group of young people.

A Colorful Sojourn

Her philanthropic journey began when visiting her son in Italy. There, Lori Samuels was inspired by the quality of leather goods and desk accessories. She figured there was a market for such quality items in Los Angeles. Her instinct was correct.

After the overwhelming success of a trunk show for friends, she decided to go bigger and set up a shop on Mission Street, a neighborhood known for its old world furniture shops and fine French restaurants. The products in her shop are diverse (bracelets, necklaces, earrings, pendants, rings, keychains, leather shoes, and much more) but they all hold one thing in common: rich color.

“I love color, and I love giving back,” Samuels said. And it shows. All of the shop’s items are rich and vibrant. The desk accessories and leather goods come in colors that are meant to brighten your mood and put a positive spin on life.

And it is in that colorful positivity that Samuels gives back to her community. A substantial portion of Colori’s sales goes to helping children with special needs.

Helping The Help Group

The Help Group was founded in 1975, and is devoted to helping children with learning disabilities and developmental issues. It offers specialized classes for grades K-12, as well as therapy services for children and families. They believe in each person’s potential and encourage productivity.

Lori Samuels believes in their potential, too. A percentage of every sale at Colori goes to helping with the Help Group, providing a steady stream of aid to this worthy cause. This has allowed The Help Group to continue its campaign of public awareness, training, and education. To date, they have 900 staff members and seven campuses located in Los Angeles.

Who could imagine that, in using colorful handbags, jewelry, and leather products, Lori Samuels would be able to offer bright, enriching futures for countless children, as well as shoppers.

Whether it’s enriching a person’s life with a colorful handbag, or brightening up the life of a struggling child, Lori Samuels is on the right track. Using her passion and her abilities, she is giving back to her community, making her life and the lives of those around her a little brighter.

Read more Segmation blog posts about art and color:

A Color Manual Ahead of its Time

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Jan Gossaert – A Great Flemish Painter of Antiquity

The Renaissance style found in Jan Gossaert’s (1478 – 1532) paintings precedes him and defines him. Only a few of his most poignant works exist today, and the information that remains about his personal life is significantly limited. Even his correct name is shrouded with mystery; he may have been known as Jan Mabuse or Jennyn van Hennegouwe.

Today, nearly five centuries since his death, he is commonly called Jan Gossaert.

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Despite a small number of his commissions surviving throughout the years and little commentary being left by contemporary artists, Gossaert has been revered as one of the greatest painters of antiquity and regarded (in the 1500s) as the “nostrae aetatis Apellum” or the “Appelles of our age.” (Apelless of Kos was an infamous Grecian painter from the middle of the second century.)

It is believed that Gossaert’s style developed as he mimicked great artists who came before him. All the while, the work he produced greatly influenced artist who followed in his footsteps.

www.segmation.comAs with many Renaissance artists, Gossaert concentrated on biblical themes. Specifically, he painted scenes that depicted Adam and Eve, The Virgin and Child and the Crucifixion. He also breathed life into mythological themes and painted many of his characters nude. In doing this, it appears Gossaert approached painting historical and mythological figures with the fine detail and acuity of a sculptor.

In addition to the detail he put into painting characters, he also concentrated on the architectural backgrounds of his paintings. They often included many large, detailed structures and ornate décor.

Much of his style is believed to come from his time training at the Guild of Saint Luke in Antwerp. Antwerp was known for producing artists that had stylistic traits including, “cluttered compositions, fantastic architecture, elegant, exaggerated poses of attenuated figures, swirling draperies, and excessive embellishments of all kinds.”

Many of Gossaert’s paintings appear to take the traits of other famous artists like Jan van Eyck and Hans Memling. It is possible that Memling inspired Gossaert’s portraits of Mary Magdalen and Jean Carondelet.

Before being commissioned by Philip of Burgundy, who asked him to paint murals for the church of Middleburg, Gossaert had a well-known piece hang on the high altar of Tongerlo Abbey, titled, “Descent from the Cross.” While working for Philip of Burgundy, Gossaert accompanied him on a trip to Italy where he adopted many stylistic techniques of the Leonardeques. More so, an Italian journey became part of Flemish custom, especially for painters.

Three signed paintings exist in the time closely following Gossaert’s trip to Italy. They include Neptune and Amphitrite of 1516, the Madonna, and a portrait of Jean Carondelet of 1517.

After the death of Philip of Burgundy in 1524 he found himself connected to Henry III and his wife Mencía de Mendoza. Some of Gossaert’s most famous work may have found its way into Mendoza’s art collections. Virgin and Child in a Landscape of 1531 may be been titled as “Joanyn de Marbug” in one of her inventories. Also, Christ on the Cold Stone of 1530 was also believed to be in her possession.

When looking for information about Jan Gossaert in established art resources of today, it is hard to find agreeable facts. What is known about this Flemmish painter is the style he used and the paintings brought to life. Like other Renaissance painters, Gossaert has work that has been etched into history. Today, his work inspires artists by showing his grandiose approach to architecture, care for ornate details and statuesque characters.

Many facts about Jan Gossaert’s life remain a mystery but in legacy he lives on as a great painter of antiquity.

However, this post is meant to recognize his artist style and some major pieces. For those who want to read more of Joaquín Gossaert ‘s story, visit this link: http://www.segmation.com/products_pc_patternset_contents.asp?set=GOS . Also, Segmation is proud to offer 27 digital Joaquín Gossaert patterns. By downloading these paint by numbers masterpieces, you can emulate one of the most fascinating artists who ever lived.

Enjoy the 27 Joaquín Gossaert Flemish patterns. Segmation has for you and continue to learn and celebrate the life of a great artist.

Read more Segmation blog posts about other great artists:
Joaquín Sorolla – The World-Renowned Spanish Painter

Robert Delaunay, Blazing a Colorful Trail

The Reluctant Educator and Revered Artist, Emil Carlsen”

Sources:

Jan Gossaert Wikipedia

Jan Gossaert

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